Twenty-year-old Hao Rao captivated the audience at his Singapore debut recital held at the prestigious Victoria Concert Hall on September 29, 2024.
The program opened with Zhang Zhao’s arrangement of “My Motherland,” honoring the PRC’s 75th anniversary. Hao Rao’s interpretation provided a vivid portrayal of China’s natural beauty and rich cultural heritage. From the outset, his playing conjured cascades reminiscent of flowing rivers and majestic landscapes blanketed in rolling mist. The imagery deepened, evoking scenes of flowing silk, winding roads, bustling cities, and a profound connection to the nation’s history.
As the piece progressed to richer, more sonorous harmonies, Rao brought to life a profound sense of pride, reminiscent of a mass chorus filled with love for the country, underscoring the unity and strength of the nation.
Technically, Rao demonstrated impressive differentiation of textures in his expressive interpretation, leaving a lasting impression on the audience.
The instrument itself, a Kayserburg KD275 9′ Artists Series Concert Grand Piano, expertly crafted by Pearl River-Kayserburg, sang with pride in Rao’s hands. Its tone shimmered with a bright, tender quality—gentle and comforting, much like light reflected on the rippling surface of a serene lake or the waves of the sea. Each note glowed softly, adding warmth and fluidity to the performance, enveloping the audience in its calming yet radiant embrace.
Rao showcased his mastery of contrasting Chopin pieces, moving seamlessly between the tender lyricism of the Four Mazurkas, Op. 30, and the dramatic intensity of the Scherzo No. 3. The Mazurkas, with their subtle rhythmic nuances and folk-inspired melodies, exuded gentle nostalgia, creating a serene, almost hypnotic atmosphere. In contrast, the Scherzo No. 3 infused the hall with exhilarating energy, its dissonant octaves and Beethovenian grandeur resonating powerfully. Whether embracing the delicate phrasing of the Mazurkas or the bold drama of the Scherzo, Rao’s performance captivated the audience, revealing the emotional breadth of Chopin’s work.
He then closed the first half of his program with Ballade No. 4 and Andante Spianato et Grande Polonaise. In the Ballade, his seamless shifts in mood highlighted his interpretative sensitivity, executed with effortless grace. The Andante Spianato showcased his ability to evoke beauty and lyricism, while the varied textures of the Grande Polonaise truly displayed his technical skill and artistry.
The second half of Hao Rao’s program featured the Op. 25 Études, where his performance truly shone. He brought out the distinct character of each étude with remarkable clarity, positively gliding across the keys. His interpretation made the complexities feel accessible, fostering intimacy amid the intricacies of Chopin’s writing. This masterful execution testified to both his skill and deep understanding of Chopin’s musical language.
The final piece of the program was met with resounding applause from the audience, who were then treated to a total of three encores: Chopin’s 24 Préludes, Op. 28: No. 15 in D-Flat Major, an energetic Mozart-Volodos Turkish March, and finally, Gabriel Fauré’s Impromptu No. 2 in F Minor, Op. 31.
Overall, “My Motherland & Chopin” served as a splendid introduction to Hao Rao and his immense talent.
Recognition is well-deserved for True Music Singapore for organising this event and bridging cultures by bringing in true talents to showcase to the Singapore audience. Be sure to follow them on their Instagram to stay updated on more upcoming concerts and events.